Chronological Emojitweets
Backhand Index Pointing Up 612
babΓΏyb.
@lOVELYaboveTHE
"I Got ONE Person Aine Giving Up On No Matter What We Go Through How Many Times We Stop Talking Thats MINE Forever! "
Retweet of status by @KelseyVallecia_
myEmoji
@myEmoji
Mitchell Moreno
@mmoreno_4
β@chrismtz34: Fine don't snap me back. Didn't want to snap you anywaysβThen you wouldn't have snapchatted them in the first place. #Thirsty
myEmoji
@myEmoji
Shawnathon J
@_Piffinton
β@adiazx_: @_Piffinton *fuck you emoji*β
myEmoji
@myEmoji
There is an inherent tendency in many of us to sub-consciously trace forms, surfaces and textures around us- running a finger along the edge of a table or a right-angle worn into a rounded corner, scoring the pleats of a dress, combing the tassels of a rug, aiming for symmetrical balance in distributing our walking steps on a tiled floor. Contact with each surface/ object seeks an arrangement, a perception of pattern, a sense of rhythm. We tune ourselves over time, sensitize ourselves to a certain pitch and create our own anchors for language, thought and articulation.
Art serves as a lens, it aids vision that is not merely optical but cognitive as well; at times even altering and βcorrectingβ it. It is both a contested space of truth and a space of contested truths. I often think about how an artist negotiates with this space, grappling with confrontation and conflict, to deliberate on fleeting moments of clarity in defining an identity. An idea, oscillating between conviction and doubt, only finds deeper engagement in dialogue and human interaction. We talk, text, type, hear, retell, rewrite, reread, analyze, gossip, enact, touch, hug, remember, invoke and evoke. We add a little bit of ourselves in piece-meals offered on elaborate platters. Histories are built and memories are constructed into seamless narratives- the human mind is at its innovative best while telling a story. And the stories are retold many times over with imperceptible shifts in each narration, changing its course like a river. It is difficult to paint the same shade of grey a second time, but the alien patch can be coveredwith a shadow of what already exists. We spend years honing our skills and refining our abilities in manipulation- and aesthetics is a powerful device to present an alternate take on anything ranging from a still-life painting to a political campaign. A playful manipulation of images and words lead to the recurring questions that I am preoccupied with. The attempt to extract definitive forms from fluid thoughts is nothing short of fishing, and every tug of the line fills us with hope.
There is a longing for change, but there is also the pursuit of continuity. Even ruptures are often rationalized with reason; patterns are cited and histories reignited.
My restless attempt at a resistance to repetition is like a catalyst Β for renewing existing structures, even our own beliefs. Sometimes I manage a victory, the kind that becomes a monument of memory, in celebration and in jest . The noise of revelry grows into its own echoes, booming down corridors of its own institutions. The magic of the new gets more elusive in the web of echoes until I can no longer find what I have already caught.
Questions grow more and more comforting, to rest on. Through art, we create favourable resting places, each with customised ambience, unique embellishments and peculiar aesthetics that are all tied up by insignificant everyday observations...
...Like how, many of us have an inherent tendency to subconsciously trace forms, textures and surfaces around us...
Art serves as a lens, it aids vision that is not merely optical but cognitive as well; at times even altering and βcorrectingβ it. It is both a contested space of truth and a space of contested truths. I often think about how an artist negotiates with this space, grappling with confrontation and conflict, to deliberate on fleeting moments of clarity in defining an identity. An idea, oscillating between conviction and doubt, only finds deeper engagement in dialogue and human interaction. We talk, text, type, hear, retell, rewrite, reread, analyze, gossip, enact, touch, hug, remember, invoke and evoke. We add a little bit of ourselves in piece-meals offered on elaborate platters. Histories are built and memories are constructed into seamless narratives- the human mind is at its innovative best while telling a story. And the stories are retold many times over with imperceptible shifts in each narration, changing its course like a river. It is difficult to paint the same shade of grey a second time, but the alien patch can be coveredwith a shadow of what already exists. We spend years honing our skills and refining our abilities in manipulation- and aesthetics is a powerful device to present an alternate take on anything ranging from a still-life painting to a political campaign. A playful manipulation of images and words lead to the recurring questions that I am preoccupied with. The attempt to extract definitive forms from fluid thoughts is nothing short of fishing, and every tug of the line fills us with hope.
There is a longing for change, but there is also the pursuit of continuity. Even ruptures are often rationalized with reason; patterns are cited and histories reignited.
My restless attempt at a resistance to repetition is like a catalyst Β for renewing existing structures, even our own beliefs. Sometimes I manage a victory, the kind that becomes a monument of memory, in celebration and in jest . The noise of revelry grows into its own echoes, booming down corridors of its own institutions. The magic of the new gets more elusive in the web of echoes until I can no longer find what I have already caught.
Questions grow more and more comforting, to rest on. Through art, we create favourable resting places, each with customised ambience, unique embellishments and peculiar aesthetics that are all tied up by insignificant everyday observations...
...Like how, many of us have an inherent tendency to subconsciously trace forms, textures and surfaces around us...
jen
@Jen_Pariona
β@Addicted2cheer: You get out of practice what you put in. And you get out of competitions what you put into practice.β Love this
Jasmine Crame
@jasminecrame
Live by Faith, not by sight.
MossMUFC_TMC
@Mussiek1
β@MetroUK: 'Marry my gay daughter, I'll give you Β£78m': Tycoon doubles reward for man who will marry his daughter ow.ly/sUXraβ
β¨GLITTERGIRLβ¨
@GLITTERGIRLZ13
Blonde moments
TEYON
@HISFAV_
Every person has there shares of ups an downs
Retweet of status by @Lovelivemia_
myEmoji
@myEmoji
myEmoji
@myEmoji
Blasian
@TigerTweets23
Turn
oh..
@GiorlockHolmes
Cass QB was like, "Yes! Yes! Yes! Yes! "
β₯ FGB_SSO_ β‘
@Denishaaa__
Look up , Look Left , Kemo Step . Look up , Look Right , Kemo Step
Retweet of status by @TheLifeOfNobody
Valerie
@ValerieRdz4
My Man Is Not Allowed To Turn Up.He Better Sit His Ass Down Before He "turn up" Missing!..
Retweet of status by @Araya_Hope____
Queen Siarra
@Siarraalexys__
They seriously need a middle finger emoji. Til then will do.
Retweet of status by @KeturahRose_
#KushCampetteRi
@ONLY_RICIA
β@poetic_icon: @ONLY_RICIA are they having free drinksβ// @djshock229
myEmoji
@myEmoji
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